
Tokina 11-18mm f/2.8 ATX-M Review: Strong Optics, Delicate Lens
Wide-angle zoom lenses with fast apertures are few and far between when it comes to Sony APS-C cameras. The Tokina 11-18mm f/2.8 ATX-M takes its shot in this overlooked class.
Wide-angle zoom lenses with fast apertures are few and far between when it comes to Sony APS-C cameras. The Tokina 11-18mm f/2.8 ATX-M takes its shot in this overlooked class.
Canon's newly announced RF100-300mm f/2.8 L IS USM lens is going to be an exceedingly rare optic for a while: the company doesn't expect to be able to deliver lenses this year, even to those who already ordered.
The 11-20mm f/2.8 Di III-A RXD lens for Fujifilm APS-C cameras that Tamron announced that it was developing last February is finally coming to market at the end of May for $829.
Canon has announced a new RF 100-300mm f/2.8 L IS USM lens which it says is designed to support professional users with a specific emphasis on photojournalists.
Samyang has announced a new 35-150mm f/2-2.8 lens for Sony E-mount which features a wide zoom range typically associated with "all-in-one" style kit lenses but with a fast variable aperture that is uncommon in that segment.
Leica has announced the new Vario Elmar SL 100-400mm f/5-6.3 lens, which is now the longest lens in its SL-series lineup. It is also joined by a new 1.4x extender that extends its reach even further.
Tamron is developing the 11-20mm f/2.8 Di III-A RXD (Model B060) for Fujifilm X-mount, which it describes as a lightweight and wide-angle zoom lens.
DZOfilm has announced the Pictor 12-25mm T2.8, a wide-angle, parfocal cinema lens designed for use with Super35 cameras that costs less than $3,000.
A recent factory tour reveals some of the steps that Fujifilm takes to hand-assemble its huge XF 150-600mm f/5.6-8 R LM OIS WR lens.
As the mirrorless camera market hits its stride and companies have caught up on their typical prime and zoom lens offerings, we see new offerings in non-traditional focal lengths. I can’t remember writing the words “all-in-one” in my decades in the tech press world as I have in the last year.
Sony has announced the new Sony FE 20-70mm f/4 G lens, a compact, lightweight lens with a wider field of view than the traditional 24-70mm focal length.
DZOFilm's new Catta Ace 18-35mm T2.9 cine lens is a versatile wide-angle parfocal optic that promises controlled focus breathing and excellent image rendering for the price that's comparable to pro-level photography-centric lenses.
We are proud to announce the second-annual PetaPixel Awards which praise a number of new photography products that our staff has voted as the best in their respective categories.
Sigma has announced the 18-50mm F2.8 DC DN Contemporary for Fujifilm X Mount mirrorless cameras, promising it to be high-performance, high-quality, and compact.
Tamron has announced the 20-40mm f/2.8 Di III VXD (Model A062) for full-frame Sony E-Mount. The company says that it was created in "aggressive pursuit" of portability, and is the smallest and lightest lens in its class.
Tamron has announced that it is developing a new 20-40mm f/2.8 Di III VXD Lens for Sony E-Mount cameras. The company says it will be the smallest and lightest in its class and support both photo and video applications.
Venus Optics has announced the 12-24mm f/5.6 compact zoom lens for full-frame cameras. The $650 fixed-aperture, manual focus lens is available for Canon RF, Sony E, Nikon Z, and Leica M mounts.
Sigma has shared a digital cross-section of its upcoming upcoming 16-28mm f/2.8 lens that showcases the intricate internal focusing system in action.
Sony has announced three new lenses that have been designed with the hybrid photographer/videographer in mind: the 10-20mm f/4 PZ, 15mm f/1.4, and 11mm f/1.8.
This Sigma 16-28mm DG DN Contemporary is the latest addition to the pile of really darn good lenses that don’t cost thousands of dollars.
Sigma has announced the 16-28mm f/2.8 DG DN, a wide-angle zoom lens designed for Sony E-Mount and Leica L-Mount and can be used on full-frame cameras.
Fujifilm has announced a pair of new zoom lenses, the XF 18-120mm f/4 LM PZ WR, the first X-Series broadcast/video/photo lens, and the XF 150-600mm f/5.6-8 R LM OIS WR, a lightweight telephoto zoom.
Finally, six years after the original launched, Sony has updated its 24-70mm f/2.8 G Master lens. The original has lagged behind competitors for some time, but the long wait for a successor is finally over.
Sony doesn't appear to be out of the woods when it comes to supply chain struggles as the company has delayed the 16-35mm f/4 PZ G Series power zoom lens from its planned April release until an unspecified time later this summer.
The updated mirrorless version of the legendary ultra-wide 14-24mm f/2.8 lens lives up to its F-mount predecessor and then some. It offers incredible performance, a sturdy and stylish build, impressive image quality, and it comes with its own screw-in filter attachment lens hood.
Tamron has filed a patent for a pair of zoom lenses designed for use on gimbals and drones: a 28-75mm f/4 and 28-80mm f/4.5. Both lenses are described as compact and with little change to their center of gravity across the zoom range.
Sony has announced the 16-35mm f/4 Power Zoom (PZ) lens, a G Series (not G Master) zoom that promises highly responsive and comfortable operability with the zoom ring and can be controlled by the lens, by the camera, or by a remote.
Currently, the longest-reaching telephoto zoom lens in the Nikon Z-mount system, the Nikkor 100-400mm f/4.5-5.6 VR S faces a lot of eager potential customers who are going to balance its longer focal length with overall size and cost. I can’t say it will disappoint.
Last year, Ricoh Imaging released the Pentax K-3 Mark III, which proved to be an excellent (yet expensive) DSLR. Ricoh says the Pentax-DA* 16-50mm f/2.8 ED PLM AW is the "ultimate general professional-grade zoom lens" for APS-C DSLR systems like the K-3 Mark III, and I have to say it lives up to that.
In photography, the “cutting edge” doesn’t always happen with the most expensive gear; the ability to produce a quality lens at a price lower than ever is just as innovative. Canon’s RF 100-400mm f/5.6-8 IS USM is my case in point.