
Tokina 11-18mm f/2.8 ATX-M Review: Strong Optics, Delicate Lens
Wide-angle zoom lenses with fast apertures are few and far between when it comes to Sony APS-C cameras. The Tokina 11-18mm f/2.8 ATX-M takes its shot in this overlooked class.
Wide-angle zoom lenses with fast apertures are few and far between when it comes to Sony APS-C cameras. The Tokina 11-18mm f/2.8 ATX-M takes its shot in this overlooked class.
The 11-20mm f/2.8 Di III-A RXD lens for Fujifilm APS-C cameras that Tamron announced that it was developing last February is finally coming to market at the end of May for $829.
The Nikon Zfc is a crop sensor mirrorless digital camera designed to replicate the classic Nikon FM2 Film camera, often considered one of the best 35mm film cameras of all time. While the system looks amazing and definitely brings a huge hit of nostalgia, does it live up to that legacy?
Meike has that its autofocus-equipped 85mm f/1.8 lens that it launched last year for Sony E-mount is now available for Fujifilm X and Nikon Z-mount.
The Z30 mirrorless camera is Nikon's third APS-C (DX) system that takes advantage of the Z-mount. While clearly marketed at content creators, vloggers, and social media influencers, the compact system has everything a solo-operating content creator needs to get up and running for video and photo.
Sigma is launching support for Nikon Z-mount cameras with three prime lenses that are already available in five other mounts.
Tamron is developing the 11-20mm f/2.8 Di III-A RXD (Model B060) for Fujifilm X-mount, which it describes as a lightweight and wide-angle zoom lens.
Canon has announced the Canon EOS R50, a compact and light camera that effectively replaces the EOS M50 II and marks the transition of the series to RF.
7Artisans has announced an extremely affordable 18mm f/6.3 II ultra-thin cap lens, which makes major changes from the company's original version.
A recent factory tour reveals some of the steps that Fujifilm takes to hand-assemble its huge XF 150-600mm f/5.6-8 R LM OIS WR lens.
Nikon's recent development announcement for a 26mm f/2.8 lens sent chills down my spine, exacerbated by its diminutive proportions. While maybe not the most important lens in their lineup, is any mirrorless system complete without one?
7artisans has announced a new all-metal, fully manual 7.5mm f/3.5 fisheye lens for Canon EF-mount APS-C DSLRs.
Meike has announced a new 25mm f/0.95 manual focus lens for multiple APS-C camera mounts. The $370 optic is currently available for Sony E mount, with the promise of Fujifilm X, Canon EOS M and RF, and Micro Four Thirds coming next month.
TTArtisan recently announced a new standard-length prime lens for Sony, Fujifilm, Nikon, Canon, and Leica APS-C cameras: the 35mm f/0.95.
Sigma has announced the 18-50mm F2.8 DC DN Contemporary for Fujifilm X Mount mirrorless cameras, promising it to be high-performance, high-quality, and compact.
Ricoh has announced the Pentax KF DSLR, a camera that is, outside of a few minor changes, pretty much identical to the Pentax K-70 that was originally released in 2016.
At a media event in New York City last week, I spent several hours with the new Fujifilm X-T5, and I came away with some interesting first impressions. The camera is a lot better, but not necessarily because of the specs.
Fujifilm has announced the X-T5 camera which utilizes the company’s fifth-generation 40.2-megapixel X-Trans CMOS HR sensor in a body that the company says is smaller than each of the three previous X-T cameras.
Fujifilm has announced a new 30mm f/2.8 Macro lens that features a 1:1 magnification ratio and a close focusing distance of just 3.94 inches (10 centimeters) from the sensor.
Meike has announced a new 35mm f/0.95 large aperture lens for six different camera mounts: five APS-C and Micro Four Thirds. While fully manual, it boasts solid image quality and a relatively affordable price.
Last week, Sony announced a new camera, and looking at the marketing videos the company produced contrasted against the target user I was told it was for, I found myself quite confused.
Sony has announced the FX30, a compact cinema camera that shares the same body design as the FX3 but switches from full-frame to a brand-new 26-megapixel APS-C backside illuminated sensor that shoots Super35 4K video.
NiSi has announced its second-ever lens, a 9mm f/2.8 for multiple APS-C camera mounts. The company positions the lens as ideal for architecture and astrophotography thanks to its wide angle and the promise of low distortion and consistent sharpness.
Cosina has announced that two more Voigtlander prime lenses are being made available for Nikon Z-mount cameras: a Nokton 40mm f/1.2 Aspherical and a Macro APO-Ultron D35mm f/2, which brings the total collection of officially licensed lenses to six optics.
Tokina has announced the atx-m 11-18mm f/2.8 E, its first super-wide-angle zoom lens designed exclusively for mirrorless and promises full compatibility with Sony E-Mount APS-C cameras.
Fujifilm has announced a new addition to its X Series lens lineup, the Fujinon XF56mm f/1.2 R WR mid-telephoto lens. The company says this weather-resistant lens provides "outstanding" image resolving performance and "stunning" bokeh.
Fujifilm has announced the X-H2 mirrorless camera which features a 40.2-megapixel APS-C sensor, the highest resolution of any X Series camera. It is also the world's first APS-C camera that is capable of 8K 30p Apple ProRes internal recording.
TTArtisan has announced a new 25mm f/2 lens for multiple APS-C mounts that costs a measly $55.
In June, Tokina announced that it would be increasing the prices of some lenses in the U.S., and today the company has provided a detailed list of those price changes.
Canon users don't expect an APS-C model camera to be the best that the company can offer, but the EOS R7 takes enough from its flagship cameras and offers it at a tempting price that makes it a compelling offering.