fineartlandscapephotography

The Fanal area is one of Madeira's largest laurel forests, known for its mysterious and unusual landscape with trees said to be up to 600 years old.

Sigma has launched a new three-part photography mini-series on YouTube that is similar to the format of Gone Fishing, but features Joe Cornish and Colin Prior, what the company says are considered two of the great British landscape photographers of all time.

The beauty of the Arctic is overwhelming. The biting cold and the pristine silence is punctuated by occasional extraordinary sounds, as the glacier ice creaks and falls. At the centre of this beauty are the enormous structures of freshwater ice calved from the glaciers, the great icebergs.

Photographers, from beginners to the most experienced, search for ways to improve their compositions. To be successful in your search, you have to compose an image based on two things above all else: light, and the relationships of forms.

At times, Death Valley can bring serene scenes of soft and picturesque sand waves, other times, as landscape photographer Michael Shainblum found out, it can also bring chaos, wind, and challenging shooting conditions.

Greek photographer and filmmaker Christophe Anagnostopoulos is determined to show the world the side of his home country that most don't see.

One of the reasons we pursue landscape photography is to connect with nature. Many photographers cite calmness, a sense of peace, and inspiration when they are surrounded by stunning scenery. I am one of them. Unfortunately, it is increasingly common that the encounter is modified by some human-made element.

If the weather forecast shows clear skies and bright sunlight, it doesn't mean photographers should abandon their plans for a landscape shoot. Photographer Michael Shainblum has shared tips on how he leverages these weather conditions to come home with a successful set of photos.

Blessed with clear skies and soft sunlight, photographer Michael Shainblum visited Death Valley National Park where he captured the captivating sand dunes from early sunrise into the evening.

I’ve often been asked that question and it’s relevant, so let’s examine it for a while. Let’s start at the very beginning -- the actual exposure of a negative.

In December 2012, I made my first trip to the Bridge of Orchy. It’s a beautiful area just an hour and a half drive north of the hustle and bustle of Glasgow. It was a last-minute decision to head north from my home as there was the prospect of snow.

In December of 2020, scientist and photographer Nathan Myhrvold captured over 100 meteors from the Geminids along with five other showers with a custom-designed, four-camera panoramic system. Afterward, they were animated together to show how they fill the night sky.

Back when I started photographing nearly a decade ago, my main subject was nature and landscapes. Over the years I continued to broaden my motifs to cityscapes, architecture, abstracts, and street photography. I still love to do them all, but there is one theme that has continued to evolve with me over the years, and that is trees.

In 1991, near the end of some book projects that took me on some lengthy photographic journeys through the American West by car for two years, I came up with the idea of creating posters of some of my black and white images for a few of our western National Parks.

I set out for the beach before dawn. It’s not always easy getting up when it’s still dark outside, but I always return home thinking I should do this more often.

The year was 2014. I was seven years younger and because of that, it was a very good year. Do you remember the time when it didn’t hurt to get out of bed?

My first foray into aerial photography using a drone left a lot to be desired, to say the least.

In my previous article, I walked you through the making of one of my signature photographs, Fallen Sequoias, exposed in 1977. I’ve decided to use the same process in the creation of another image, made 20 years later, on a one-day hike with two friends in 1997.

Photographer Michael Shainblum chose to capture photos with only his 16-35mm f/4 lens and shares how he composes his seascape images with such a wide angle and how he crops them for a polished finished photo.

Landscape photography does not always have to be about dramatic sunsets and striking light. In his latest video, photographer Michael Shainblum demonstrates how to bring out the nuanced beauty of an overcast day.

The monotonous propeller noise of Air Greenland’s Dash-8-200 had been roaring in my ears for more than an hour as we began our approach to Ilulissat.

In 1991, near the end of some book projects that took me on some lengthy photographic journeys through the American West by car for two years, I came up with the idea of creating posters of some of my black and white images for a few of our western National Parks.

Photographer Geoff Decker has spent the last two years creating what he calls Nexus Panoramas: vertical photos that use the Milky Way to link two landscape foregrounds in a single image.