gigapixelai

Photoshop and Lightroom are mainstays in most photographers’ workflows for a reason. While other options abound, no other set of programs matches the popularity and widespread adoption of Adobe’s signature photography software. But while Photoshop’s manipulation capabilities and Lightroom’s processing and editing power are certainly robust, both offer even more power beyond the software itself in the form of plugins.

Astrophotography is a discipline rife with compromises. It’s a battle of shutter speed, aperture, and ISO with no one combination being completely ideal. That’s where Topaz Labs in the edit comes to the rescue.

The most fun I have with photography is capturing something I’ve never seen before. Of course, that sets up a lot of pressure to come away with tack-sharp perfect photos. Topaz Labs is how I ensure my success.

Many things that used to be true about photo editing are no longer the case, such as not being able to fix a subject that was accidentally out of focus or not being able to recover much detail when doing heavy noise reduction. Topaz Labs is a big reason as to why we can approach post-processing differently now.

Photographer Jomppe Vaarakallio has been a professional retoucher for 30 years, but he's never seen anything quite like this before. While working on an image, he used Topaz Labs' Gigapixel AI software to upscale it... and found that the software added Ryan Gosling's face to his photo.

YouTuber Denis Shiryaev used publicly available AI-based technology to take a grainy, low-resolution short film from the year 1896 and upscale it all the way to 4K and 60 fps. The results, while not perfect, are downright astonishing.