As a parent, you hope that your children will emulate your best traits, but also blaze new trails and achieve greatness beyond their own. You hope that lessons will be learned from your own mistakes and that your weaknesses will not be theirs. Is the Nikon Z9 a proud parent?
Somehow, 2023 has turned into quite the year for monochrome cameras. Leica, though, is no stranger to the format and the M11 Monochrom is just the latest in a series of excellent additions to the space.
Low-cost lenses started appearing in the market in the last twenty years or so, with prices coming down steadily. When I saw another inexpensive lens in an article a couple of months ago, it grabbed my attention not with its price but with its core feature. It was a shift lens. An 18mm, fixed-aperture at f/8, shift lens at $119 was worth trying.
Canon’s EOS R6 Mark II is a major yet, in some ways, a subtle upgrade over the original R6. The new R6 Mark II is faster and more capable than the R6 in most regards, and it addresses several of the limitations found in the original model.
The Sigma 60-600mm for Sony E-Mount is a versatile, compelling, and unique lens with a mindblowing 10x optical zoom range. As with any all-in-one lens, it’s not without its compromises, and the $2000 price puts it up against Sony’s native FE 200–600mm f/5.6–6.3 G OSS, even though the Sigma has a more versatile zoom range.
At a media event in New York City last week, I spent several hours with the new Fujifilm X-T5, and I came away with some interesting first impressions. The camera is a lot better, but not necessarily because of the specs.
The EOS R6 Mark II surprised me. Historically, Canon's "6" series has been a stepping stone camera that, at least to me, lacked an identity of its own. That changes with the R6 II, which now punches way above its weight.
Canon has announced the EOS R6 Mark II that the company positions as a "Swiss Army knife" of a camera. Centered around a newly-developed 24.2-megapixel sensor, it can shoot up to 40 frames per second and features a "highly accurate" autofocus system.
Film isn’t dead yet. That’s the obvious message behind Leica digging up its roots and reimagining its storied M6 rangefinder film camera from 1984 and releasing a brand new variant in 2022.
Microsoft’s Experience Center in New York City was the scene of a press launch of the new Microsoft Studio 2+ all-in-one PC, Microsoft Surface Pro tablet-designed laptop, and the Microsoft Surface Laptop 5.
It has been a long time since Hasselblad brought a new X System medium format mirrorless camera, but those waiting for a successor to the X1D II 50C will find a lot to like about the X2D 100C.
Most people today own a smartphone with a camera that they bring with them everywhere they go. These state-of-the-art mobile cameras arguably make everyone a photographer (in some sense of the word).
The Fujifilm X-H2S has many new and vastly improved features and capabilities, all in a package that’s different than the X-T lineup of cameras with traditional control dials. I’ve had a few days with my Fujifilm X-H2S and here’s my experience with their new flagship APS-C camera.
In a new update, Adobe is greatly increasing the masking capabilities of its Lightroom applications as well as Adobe Camera RAW. While it is not as powerful as what is found in full-fledged Photoshop, you will find yourself wondering how you ever lived without it.
After months of teasing, Canon finally let me get my hands onto a pre-production EOS R3 for a few days, during which time I tried every test I could think of.
To kick off 2021, Fujifilm announced two new X-Series lenses and a new X-Series body. One of those lenses is the XF 27mm f/2.8 R WR pancake lens, an update to the current 27mm.
When Fujifilm announced the X-S10 near the end of 2020, many thought that it might be the end of the X-T30/X-E3 line. With the announcement of the new X-E4, Fuji not only continues the compact rangefinder-style design, they also make it a very competitive camera.
Ricoh is not a brand uppermost in the minds of most photographers on the market for a new mirrorless camera. Sony, Fuji, and Panasonic seem to have dominated market visibility, if not the actual market, for high-end mirrorless cameras systems for the past five or so years, with late-comers Canikon gaining traction with their most recent offerings.
The Leica Q2 Monochrom is really good. I liked using it, I think it takes great photos, and I think people who buy it will be incredibly happy. It's just not the M10 Monochrom, and I need to stop expecting it to be.
As a landscape and travel photographer, I often carry around an ultra-wide-angle 14mm lens and the Tamron 28-75mm f/2.8. Last week I was able to test the latest addition to the Tamron series for full-frame mirrorless cameras: the 70-300mm f/4.5-6.3 Di III RXD. And I think I've found the perfect addition to my usual 2-lens kit.
I am a Canon Ambassador and I had the chance to test the new Canon EOS R5 (pre-production model) that we have all been anticipating for such a long time. This is not a review of the camera, but I wanted to share some of the most important settings and show you some real-life samples I was able to shoot that week.
Everyone that knows me knows that I love shooting with extreme wide-angle lenses. When I had just gotten the original a7 and no native (fast) wide-angle lenses were available yet, I was always shooting with the Samyang 14mm.
These are my thoughts on the Nikon D780 after shooting a 9-hour wedding with one in London in February of 2020. I had it for 3 days, so this isn’t an exhaustive technical review; I’m not going to dissect it or pixel peep, just report on my impressions as a full-time wedding photographer who normally uses a couple of D750s.
Earlier this week, Apple released the latest iteration of the 13-inch MacBook Pro. And while the update came with some very welcome additions, many felt that it was a half-step: a refresh rather than a redesign, like we saw with the 16-inch MacBook Pro earlier this year. Now that we have one in hand, we tend to agree.
After teasing an “in development” announcement late last year, Tamron’s all new 70-180mm f/2.8 for Sony E-mount is finally about to hit store shelves. With the release of this lens, Tamron will complete their “holy trinity” for Sony mirrorless.
Every time Fuji releases a new camera I feel like this is the generation that will let me leave Canon behind. I had the same hopes and eventual disappointments with the XT2 and the XT3. Inevitably, I would realize full frame always beats out crop frame, that high ISOs and battery life can’t be matched, that Fuji was just not good enough to beat my Canons.
Though it might seem less popular than other systems (probably due to marketing), the L Mount Alliance is producing some of the best full-frame lenses currently available. In this case, Panasonic Lumix worked in tandem with their buddies at Leica to release their second 70-200mm lens for full-frame systems: the Panasonic Lumix S Pro 70-200mm f/2.8 OIS.
I didn't have a terribly long time with Fujifilm’s latest hybrid shooter before it was released—it was only about a week for what you see shot below—but thankfully, not too much has changed since the previous X-T3, and what has is obvious and easy to evaluate.
These days, it's probably more likely that you win the lottery than for Sony to make a bad lens. Their process over the last few years has been really dialed in, to the point where making a technically good piece of optics is their bread and butter.
Over three years ago, I tested out the Fuji X100F and was introduced to the pleasantries of carrying around a capable point and shoot. Today’s agenda is the fifth installment of Fujifilm’s X100 line of cameras: the Fuji X100V.