Reviews

The smartphone is the most common camera anyone holds across the world, yet it’s also the most unwieldy in one hand. That’s where the Fjorden Grip steps in.

LEDs have changed a lot about how studio photography works, and Hobolite believes its lights can be equally accessible to both amateurs and professionals alike.

Canon’s new RF 135mm f/1.8 L IS USM is an essential lens in the company’s mirrorless system, not only because the focal length is a staple choice of portrait, wedding, and corporate photography, but because Canon's latest prime is truly exceptional.

If Leica ever launches its own branded phones in other markets, it would serve as notice to established players that smartphone photography is more than just a numbers game.

Tamron has made a name for itself by releasing a series of unique and nontraditional zoom lenses like the 28-75mm, 17-28mm, 70-180mm, and the renewed classic (for mirrorless) 70-300mm f/4.5-6.3 Di III RXD. The new version of the lens for Nikon Z (or Sony E) brings a bit of comfort and nostalgia back to the hands of any telephoto shooter.

The Meyer Optik Görlitz 35mm f/2.8 Trioplan II is a unique lens that performs its best when the bokeh is specifically integrated into a shot and not just a coincidence of the defocus area. That means it's not for everyone, but it has its place.

It’s been possible to shoot with lens filters on the iPhone before, but not always with all lenses at once, and Pan’s Scheme Snap Filter system covers them at once with a series of different options.

Logitech has boldly entered into a pro microphone category dominated by well-known brands and comes out smelling like a rose: its Blue Sona hits every note.

The $379 Yongnuo 85mm f/1.8 Z DF DSM lens is among the first third-party prime lenses available for the Nikon Z system that not only has an impressive autofocus system, but also boasts a customizable Lens Function button (L-Fn) and control ring.

The Haukland Photography Jacket is an incredible value that is a rare combination of all of the best aspects of cold-weather clothing with specific features that are tailored to photographers. It is, in a word, exceptional.

DJI’s recent release of the Mavic 3 Classic slightly confuses the company’s drone lineup but gives consumers a drone that’s better suited to most creative’s needs and better suited to customer checkbooks.

Tamron’s trend of making atypical focal length lenses continues with the new 20-40mm f/2.8 Di III VXD lens. Like previous lenses in its "Frankenfocal" category, this new one is a success in everything that matters, from size, to resolution, to price.

The term laptop is often used quite liberally by those designing computers for gamers, and that idea is perfectly encapsulated with the MSI Titan GT77. This won't fit comfortably in basically any lap, but that's the price you pay for power.

At a media event in New York City last week, I spent several hours with the new Fujifilm X-T5, and I came away with some interesting first impressions. The camera is a lot better, but not necessarily because of the specs.

The EOS R6 Mark II surprised me. Historically, Canon's "6" series has been a stepping stone camera that, at least to me, lacked an identity of its own. That changes with the R6 II, which now punches way above its weight.

Sony’s Alpha camera system has evolved significantly in the three years since Sony released its predecessor, the Alpha 7R IV. The new Alpha 7R V not only has caught up with the other cameras in the system, but it has also surpassed them.

Film isn’t dead yet. That’s the obvious message behind Leica digging up its roots and reimagining its storied M6 rangefinder film camera from 1984 and releasing a brand new variant in 2022.

When NVIDIA reached out to ask if we wanted to try the new RTX 4090 GPU, we almost said "no." Most of our readers are photographers, and most photo editing simply doesn't require a top-tier GPU. But we did say "yes" because we wanted to answer a different, more relevant question: do photo editors need a GPU at all? And if so, how much do you need to spend to get top-notch photo editing performance?

At first glance, the Tamron 50-400mm f/4.5-6.3 Di III VC VXD seems like Frankenstein’s monster of lenses. Super-telephoto lenses that provide a relatively wide focal length are uncommon and generally awful. Making a lens with such a wide range of focal lengths is complicated, yet Tamron made one that performs well across the zoom range.

Google is predictable when it comes to how it evolves its smartphones and cameras, which is to say that the mechanics are familiar, while the inner workings get the tweaks. The Pixel 7 Pro takes that formula and it’s up to you to run with it.

I've been using the Panasonic GH6 for a few months so we could provide a long-term review for what was once a hotly-anticipated successor to the very popular GH5.

Given Apple's annual release schedule, if you were to upgrade your iPhone every time you could, you probably have not been all that impressed from generation to generation in recent years. I think that changes with the iPhone 14 Pro, because the main camera is really something special.

Hot off of the heels of the 90mm f/2.8 2x Macro APO lens, Venus Optics has released another Laowa macro lens for mirrorless cameras in the 58mm f/2.8 2x Ultra Macro APO, which is arguably more versatile and therefore more appealing to general shooters.