Pentax’s Two New 50mm Lenses Look Similar But Take Different Photos
Ricoh has announced two new 50mm f/1.4 lenses that look very similar on the outside but are designed to produce distinctively different image renditions.
Ricoh has announced two new 50mm f/1.4 lenses that look very similar on the outside but are designed to produce distinctively different image renditions.
TTArtisan has announced a full-frame 100mm f/2.8 tilt-shift 2x ultra macro lens for Sony E, Fujifilm X, Canon RF, and Nikon Z mounts.
When I reviewed the Laowa Argus 35mm f/0.95 I was struck by how bad it was, but also how good it could be. Normally, I rate a lens based on how well it handles flare, how sharp it is, and how well it controls chromatic aberrations. Going by the above criteria, the Argus should have failed spectacularly.
Meike has announced a new 85mm f/1.4 autofocus lens for Sony E, Nikon Z, Leica L, and -- surprisingly -- Canon RF mounts. If this stands, Meike will be the first third-party manufacturer to come to market with an autofocus-equipped lens for Canon's mirrorless mount.
The Vertigo Lens Turret is an adapter that fits onto a camera's lens mount and allows a filmmaker to effortlessly switch among three different attached lenses, a design that is set to "get the cinema world spinning."
Venus Optics launched its new line of high-end Laowa Proteus 2x Anamorphic lenses in January with 35mm, 45mm, 60mm, and 85mm T2 primes. The company has now announced another quartet of Proteus 2X lenses, adding 20mm, 28mm, 100mm, and 135mm focal lengths to its cinema lens series.
Venus Optics has announced a new Laowa Argus 28mm f/1.2 prime lens for full-frame cameras. Billed as the fastest 28mm for full-frame on the market, the new lens is available for Leica L, Nikon Z, Sony E, and Canon RF mounts.
Meike has that its autofocus-equipped 85mm f/1.8 lens that it launched last year for Sony E-mount is now available for Fujifilm X and Nikon Z-mount.
Zhong Yi (ZY) Optics is making its Mitakon Speedmaster 65mm f/1.4 lens originally designed for the Fujifilm GFX available for Hasselblad X, which will make it the fastest lens option for the medium format system.
Sony has announced the new Sony FE 50mm f/1.4 GM lens, a standard prime lens that Sony says is perfect for portraits, travel, street, and video.
Viltrox is aiming at high-end, professional photographers with its new "Air Cutter" AF 75mm f/1.2 lens, a large aperture portrait prime designed for Fujifilm X-Mount.
Sigma’s 50mm f/1.4 DG DN Art takes its place as the latest lens in Sigma’s venerable high-end lens line and is a welcome addition thanks to excellent performance and a low cost of entry.
Nikon has provided final details of its highly-anticipated Nikkor Z 85mm f/1.2 S, a lens that it describes as a professional-level ultra-fast prime that "unquestionably exhibits the extraordinary potential of the Z mount."
Nikon's new 26mm f/2.8 is a super-thin wide-angle prime for its Z-mount mirrorless cameras and is its slimmest and lightest full-frame autofocus lens ever.
7Artisans has announced an extremely affordable 18mm f/6.3 II ultra-thin cap lens, which makes major changes from the company's original version.
Canon has designed a pair of RF-mount catadioptric telephoto lenses that it says successfully corrects for field curvature while still being small, lightweight, and have a large aperture: a 300mm f/2.3 and a 400mm f/5.
Nikon's recent development announcement for a 26mm f/2.8 lens sent chills down my spine, exacerbated by its diminutive proportions. While maybe not the most important lens in their lineup, is any mirrorless system complete without one?
Cosina has announced that it will release a Nokton 50mm f/1 Aspherical and a Super Wide-Heliar 15mm f/4.5 Aspherical for Nikon Z-mount full-frame mirrorless cameras.
Venus Optics is aiming at professional filmmaking production with the launch of the Proteus line of anamorphic lenses, what it is calling the most accessible professional anamorphic lenses with a constant 2x squeeze ratio for Super35 sensors.
Sony has revealed that it is developing a new 300mm f/2.8 G Master lens, but photographers won't be able to get their hands on it until early next year.
Yesterday, Nikon revealed that it was developing a new 85mm f/1.2 S lens for its Z-mount mirrorless cameras, and PetaPixel was able to get some literal hands-on time with the optic, which shows that the new lens is quite the handful.
Canon’s new RF 135mm f/1.8 L IS USM is an essential lens in the company’s mirrorless system, not only because the focal length is a staple choice of portrait, wedding, and corporate photography, but because Canon's latest prime is truly exceptional.
Nikon has announced that it is developing two new lenses for Z-mount cameras: the Nikkor Z 85mm f/1.2 S and the Nikkor Z 26mm f/2.8 pancake.
Venus Optics has announced the Laowa 19mm f/2.8 Zero-D GFX, a manual-focus prime lens for Fujifilm's medium format camera system that promises a 110-degree field of view with close to no distortion.
Irix has announced a second version of its 150mm T3.0 cinema lens called the 150mm T3.0 Tele. It doesn't replace the previous version, but makes it more usable for a wider audience by improving the focus and aperture range and removing the macro designation.
TTArtisan has announced that its 50mm f/1.4 Tilt lens which was originally released for Sony E and Leica L-mounts two months ago is now available for Fujifilm X, Canon RF, and Nikon Z mounts.
We are proud to announce the second-annual PetaPixel Awards which praise a number of new photography products that our staff has voted as the best in their respective categories.
TTArtisan has announced a new 11mm f/2.8 Fisheye lens for Canon EF and Nikon F-mount cameras. The lens brings DSLRs access to the same lens that has already been available for multiple mirrorless mounts.
Meike has announced a new 25mm f/0.95 manual focus lens for multiple APS-C camera mounts. The $370 optic is currently available for Sony E mount, with the promise of Fujifilm X, Canon EOS M and RF, and Micro Four Thirds coming next month.
TTArtisan recently announced a new standard-length prime lens for Sony, Fujifilm, Nikon, Canon, and Leica APS-C cameras: the 35mm f/0.95.