Canon's newly announced RF100-300mm f/2.8 L IS USM lens is going to be an exceedingly rare optic for a while: the company doesn't expect to be able to deliver lenses this year, even to those who already ordered.
Canon has announced a new RF 100-300mm f/2.8 L IS USM lens which it says is designed to support professional users with a specific emphasis on photojournalists.
The Canon R5 II was originally speculated to arrive this year, but a new report claims that isn't happening. In lieu of a new camera body, Canon will instead be bringing new functionality to the original R5 via a "major" firmware update.
Canon’s EOS R6 Mark II is a major yet, in some ways, a subtle upgrade over the original R6. The new R6 Mark II is faster and more capable than the R6 in most regards, and it addresses several of the limitations found in the original model.
Canon’s new RF 135mm f/1.8 L IS USM is an essential lens in the company’s mirrorless system, not only because the focal length is a staple choice of portrait, wedding, and corporate photography, but because Canon's latest prime is truly exceptional.
Pergear has announced a 14mm f/2.8 manual focus ultra-wide rectilinear lens for full-frame Sony, Nikon, Canon, and Leica mirrorless cameras.
The Meyer Optik Görlitz 35mm f/2.8 Trioplan II is a unique lens that performs its best when the bokeh is specifically integrated into a shot and not just a coincidence of the defocus area. That means it's not for everyone, but it has its place.
Irix has announced a second version of its 150mm T3.0 cinema lens called the 150mm T3.0 Tele. It doesn't replace the previous version, but makes it more usable for a wider audience by improving the focus and aperture range and removing the macro designation.
This lightweight and compact 18mm f/8 shift lens from AstrHori allows photographers plus or minus 6mm of panning shift and a rotation of 360 degrees to better capture cramped spaces or vast landscapes.
AstrHori has announced a new 12mm f/2.8 fisheye lens for full-frame mirrorless cameras. The $256 optic is available for Nikon Z, Sony E, Leica L, Fujifilm GFX, and Canon RF mounts.
TTArtisan has announced that its 50mm f/1.4 Tilt lens which was originally released for Sony E and Leica L-mounts two months ago is now available for Fujifilm X, Canon RF, and Nikon Z mounts.
Meike has announced a new 25mm f/0.95 manual focus lens for multiple APS-C camera mounts. The $370 optic is currently available for Sony E mount, with the promise of Fujifilm X, Canon EOS M and RF, and Micro Four Thirds coming next month.
Fotodiox has released the first commercially available lens adapter for Fujica GL69 bayonet lenses for just about every current mirrorless camera mount on the market.
The EOS R6 Mark II surprised me. Historically, Canon's "6" series has been a stepping stone camera that, at least to me, lacked an identity of its own. That changes with the R6 II, which now punches way above its weight.
Canon has announced the EOS R6 Mark II that the company positions as a "Swiss Army knife" of a camera. Centered around a newly-developed 24.2-megapixel sensor, it can shoot up to 40 frames per second and features a "highly accurate" autofocus system.
Canon has announced a new prime lens for its RF mount, the 135mm f/1.8 L IS USM, a lens it promises achieves beautiful and "generous" bokeh and is ideal for both portraiture and sports photography.
Meike has announced a new 35mm f/0.95 large aperture lens for six different camera mounts: five APS-C and Micro Four Thirds. While fully manual, it boasts solid image quality and a relatively affordable price.
Canon Japan is set to increase prices that span its entire interchangeable lens camera division, including multiple camera bodies, lenses, and Cinema EOS products.
Canon users don't expect an APS-C model camera to be the best that the company can offer, but the EOS R7 takes enough from its flagship cameras and offers it at a tempting price that makes it a compelling offering.
Meyer Optik Görlitz has added native Nikon Z and Canon RF mounts to the six lenses it has released to date including the Primoplan 58mm f/1.9 II, Primoplan 75mm f/1.9 II, Lydith 30mm f/3.5 II, and Trioplan 50mm f/2.8 II.
TTArtisan has announced a new 50mm f/2 full-frame manual focus lens. Though not the fastest “nifty fifty” in the company arsenal, the standard focal length lens has a natural viewing angle and the company says it has a fast enough aperture to provide high performance in low light.
Canon has announced two new lenses for the RF mount: the RF24mm f/1.8 Macro IS STM and RF15-30mm f/4.5-6.3 IS STM. Both pieces of glass are compact, lightweight, and wide-angle.
Venus Optics has announced the 12-24mm f/5.6 compact zoom lens for full-frame cameras. The $650 fixed-aperture, manual focus lens is available for Canon RF, Sony E, Nikon Z, and Leica M mounts.
Venus Optics has announced the Laowa 90mm f/2.8 2x Ultra Macro APO for Canon RF, Nikon Z, Sony E, and Leica L mount full-frame cameras.
APS-C cameras from other manufacturers have grown stagnant and unexciting, but the Canon EOS R7 aims to change that with more megapixels, faster continuous shooting, and better autofocus.
Canon's first APS-C mirrorless cameras are here, three and a half years after its first full-frame RF-mount option. After a brief time with what is effectively the Rebel replacement, there is a lot of camera here for $1,000 when it comes to the new Canon EOS R10.
The Benro Aureole, originally announced in January, is officially launching on Kickstarter. The company says it is the first detachable, multi-function system that allows photographers to both adapt lenses and also use filters.
Venus Optics has announced the Laowa 20mm f/4 Zero-D Shift lens that provides a plus or minus 11mm shift on full-frame cameras and gives architectural photographers the ability to have more control over perspective.
Canon has announced two new super-telephoto lenses for the RF mount: the RF800mm f/5.6L IS USM and RF1200mm f/8L IS USM. Unlike what was the case with the 400mm f/2.8L and 600mm f/4L primes launched last year, these two new lenses are unique.
Venus Optics has announced that the Laowa 85mm f/5.6 2x Ultra Macro APO it launched last year for Nikon Z, Canon RF, Sony E, and Leica M mounts is being released for Leica L-Mount.